Conaculta Inba

Vianney Cortés. Language as the Detonator of Form


The work of Vianney Cortés (Mexico City, 1985), who graduated from Escuela Nacional de Pintura, Escultura y Grabado La Esmeralda, fluctuates between sculpture and installation. Light and movement play a key role in her pieces, generating atmospheric and enveloping effects. Continuar Leyendo →


Malraux Encounter on Art and Education

Loreto Alonso Atienza


The Malraux Encounter on Art and Education took place on May 6-8, 2014. It was coordinated by Patrick Talbot, honorary director of Art Postgraduate Schools of Bourges and Nancy, and of the National Higher School of Photography of France; and by Humberto Chávez Mayol, researcher at Cenidiap (National Center for Research, Documentation and Information on Visual Arts). Continuar Leyendo →


On History and Relevancy: Luis Arenal

María Elisa Morales Maya


The exhibition Luis Arenal Bastar: un realismo militante (A Militant Realism) signifies in many senses, not just because of its unpublished status, given its documentary character, but because of the diversity of processes that the materialization of an exhibition such as this may imply. Continuar Leyendo →


Francisco Goitia Collection

María Jeannette Méndez Ramón


Since 1987, the Francisco Goitia Collection became part of the artistic documentary heritage of the National Center for Research, Documentation and Information on Visual Arts (Cenidiap). It was donated by anthropologist Farías Galindo, the last executor and biographer of the artist. Continuar Leyendo →

Economics and Culture

Carlos Guevara Meza


Perhaps I should begin by pointing out the relevance of presenting a book entitled Economics and Culture at an arts research center. When “traditional” cultural producers, such as artists, intellectuals and academics, hear those two words together, we start shaking, thinking (not without reason) that the idea is to throw us into a market previously constructed by other agents, after their own fashion, in which they already exercise a dominion, and who don’t think twice about “liquidating” (in the Mafia sense of the word) any real or potential competition.

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Decentralizing Historical Photographic Collections

Eleazar López Zamora


[Originally published in Alberto Tovalín (ed.), Crónicas Fotográficas. I Foro México Estados Unidos,México, Instituto Veracruzano de Cultura, Universidad Veracruzana, Fondo Nacional para la Cultura y las Artes, 1996.] Continuar Leyendo →

Forced Disappearances

Alberto Híjar Serrano


On the first Saturday of every month, at different public places, HIJOS México and ¡Eureka! Install an exhibition of the disappeared, the victims of political repression. On Saturday, February 1st, they installed photographs of the disappeared around a fountain in Parque de los Venados, where they informed the festive and sportive citizens gathered there of the purpose of their organization. Continuar Leyendo →


The Cosmos Descends on Sculpture: Kiyoshi Takahashi, Sukemitzu Kaminaga, Kiyoto Ota and Hiroyuki Okumura

María Teresa Favela Fierro


Several Japanese artists have arrived in Mexico at different times; some settled definitely, others temporarily. They all have brought with them a valuable artistic legacy. Tamiji Kitagawa, for instance, lived here in the 1920´s and 30´s, and taught at the Open Air Painting Schools. Continuar Leyendo →


Connections… Cenidiap’s Archives and Collections


On August 19-31, 2014, the Gallery of the National School of Painting, Sculpture and Engraving “La Esmeralda” hosted the exhibition Connections… Cenidiap’s Archives and Collections. Continuar Leyendo →

César Moro: Poetry between the Old and New Worlds

Lourdes Andrade


César Moro, a poet of astonishing fertility in terms of the quantity and the quality of his images, is a figure between two worlds, drawn and torn by the absolute demands of poetry and the circumstances in which he developed his work and his life, and in which he gave sense to both. Continuar Leyendo →


Barbizon or Santa Anita. The first Open Air Painting School, 1913

Laura González Matute


[Originally published in Escuelas de Pintura al Aire Libre y Centros Populares de Pintura, Mexico, Instituto Nacional de Bellas Artes, Centro Nacional de Investigación, Documentación e Información de Artes Plásticas, 1987.] Continuar Leyendo →

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Leopoldo Méndez Documentary Collection

Jacqueline Romero Yescas


The Leopoldo Méndez Documentary Collection is a valuable documentary archive for research into the visual arts in 20th century Mexico. Its information covers several issues regarding the life and thought, as well as the development of the work of this engraver. This collection is part of the cultural, historical and artistic heritage safeguarded by the National Institute of Fine Arts and Literature (INBAL). Continuar Leyendo →