Conaculta Inba

Building an Utopia

Laura González Matute
 
 

This text was read on June 9, 2016, at Aula Magna José Vasconcelos, Centro Nacional de las Artes, during the presentation of the book La construcción de una utopía. Enseñanza artística en la posrevolución (Building an Utopia. Arts Education After the Revolution), Mexico, Conaculta, INBA, Cenidiap, 2015, 168 p.
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An artistic relationship and a great friendship between a muralist and an adman: Jorge González Camarena and Federico Sánchez Fogarty

María Teresa Favela Fierro
 
 
This is the text of the lecture “Tolteca’s public image in the work of Jorge González Camarena”, which I gave on the occasion of the exhibition Federico Sánchez Fogarty, a visionary of his time at Museo Casa Estudio Diego Rivera y Frida Kahlo, (November 14, 2013, February 23, 2014). You can see the images I mention in the text at the gallery of the Fundación Cultural Jorge González Camarena A. C. website: Galería de la Fundación Cultural Jorge González Camarena. Continuar Leyendo →

Boltanski. Un pueblo de fantasmas

Marie-Christine Camus
 
 
This text was read at a round table, “Incomplete traces. Identity, memory and oblivion”, on May 24, 2016, as a parallel activity to the exhibition Animitas. Christian Boltanski, Museo de Arte Contemporáneo de Monterrey, January 21 – June 5, 2016.
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Vicente Kramsky: a local photographer

Gabriela Torres Freyermuth

 
 
Vicente Kramsky was born in San Cristóbal de Las Casas, Chiapas, in 1929. His family was of German descent. His grandfather, Vicente Kramsky Bittner, arrived in Mexico in 1870 after the Mexican government had extended an invitation to foreigners to come and people the country. He soon decided to try his luck in San Cristóbal, where he met Emilia Ramos Bourdois, whom he married. They founded the La Sultana shoe factory, which became renowned in the whole region. This commercial success provided the family with great prestige and a distinguished social position. A sign of the family’s prosperity was the purchase of the country estate known as “El Tívoli”.[1] Continuar Leyendo →

Work Brings Us Together: Larrauri/Mexiac

On April 20, 2016, at Galería Víctor Manuel Contreras in Universidad Autónoma del Estado de Morelos (UAEM), campus Cuernavaca, the exhibition Work Brings Us Together. One More Time, was opened. It brought together two sets of works from two essential creators in the history of art and culture in Mexico: Moments in the History of Mexico. Illustrations by Iker Larrauri, and Illustration in the work of Adolfo Mexiac.
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