Conaculta Inba

Carlos Amorales at MUAC: Axioms for Action (1996-2018)

Edwina Moreno Guerra
 
 
It is remarkable for a young Mexican artist like Carlos Amorales (Mexico City, 1970) to exhibit at Museo Universitario Arte Contemporáneo (MUAC).
Havig lived and trained in Europe (1990-2004), he returned to Mexico as an established artist. This exhibition showcases pieces from different and even disparate genres. The effort invested in developing each piece is apparent; spectators have to concentrate in order to fully appreciaate them. There are no distinctive marks to give the show a degree of coherence, but if we were told that this is actually a collective exhibition we would promptly believe it, because he engages with so many artistic disciplines: drawing, painting, sculpture, collage, performance, installation, sound art, cinema, writing, and other non traditional forms. Continuar Leyendo →

Guillermo Gómez-Peña, Mexican (IN)documentado

Edwina Moreno
 
 
One might say that now is “the moment” for Guillermo Gómez-Peña’s art. Looking into his life and work, one discovers that political decisions by President Trump against Mexican immigrants provide a timely space for Gómez-Peña’s artistic actions. This Mexican artist migrated to the USA when he was young; his thoughts regarding Chicanos do not stem from a political, social, or human rights perspective, not even from a conventional artistic point of view, but rather from the standpoint of a contemporary artist whose expression is both empathic and experiential, since he has felt the brunt of discrimination suffered by so many of our fellow Mexicans. Continuar Leyendo →

Un mismo amor

Alberto Híjar Serrano
 
 
Without him knowing, or quoting from it, the Cannibal Manifiesto (São Paulo, 1928) gives aesthetic sense to the work of Gerardo Cantú exhibited at Museo Mural Diego Rivera under the title Un mismo amor. Vivencias y videncias. Among the phrases adroitly sprinkled here and there to accompany the works, there is one highlighted in red on the triptych that substitutes the catalogue: “with Cantú we arrive at the awkwardness of love, but love still, and perhaps a love more sincere and higher than that which the romantics exalted in their time”, says Ida Rodríguez. Continuar Leyendo →

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A figuration of outrage

Alfredo Gurza
 
 
In June, 2015, at Café 123, Suad, an artist born in Casablanca, Morocco, residing in Mexico City since 2010, exhibited through the One Month | One Artist initiative her piece entitled Entrelazados, (Entwined), a work that distills her artistic practice, accumulated through successive purifying and deepening processes in her studious journey through Lyon, London and New York. It is also the announcement of her new domain: both as knowledge/craft and as a territory for semiotic research. Continuar Leyendo →