Galerías

  • We shall become Dogs

    We shall become Dogs

    Yuri Herrera     A text on La Pasión según Arte Huerco, an exhibition initially shown in Pachuca, Hidalgo, by Fundación Arturo Herrera Cabañas, in April, 2014. It was later exhibited between April and May, 2015, at the Copilco subway station, in Mexico City. 

  • Hemos de volvernos perros

    Hemos de volvernos perros

    Yuri Herrera     Texto de la exposición La Pasión según Arte Huerco, expuesta inicialmente en Pachuca, Hidalgo, por la Fundación Arturo Herrera Cabañas en abril de 2014. Se Expuso nuevamente en abril y mayo de 2015 en las vitrinas de la estación Copilco del Sistema de Transporte Colectivo Metro, México, D. F.

  • Fondo Documental de Arte Actual

    Edwina Moreno Guerra     1990-2000   El Fondo Documental de Arte Actual tuvo como punto de partida el rescate del denominado Arte Joven, cuyos antecedentes remontan a la segunda mitad de la década de 1950. Desde entonces, el cultivo de los nuevos lenguajes hace mención al arte nuevo, aquel que se deslindó de la…

  • Current Art Documentary Collection

    Edwina Moreno Guerra     1990-2000   The Current Art Documentary Collection began with the rescue of so-called “Arte Joven” (“Young Art”), originating in the late 1950’s. From then on, the cultivation of new languages always refers to new art, the one that broke off with tradition and was acknowledged as avant-garde.

  • Vianney Cortés. Language as the Detonator of Form

    Vianney Cortés. Language as the Detonator of Form

      The work of Vianney Cortés (Mexico City, 1985), who graduated from Escuela Nacional de Pintura, Escultura y Grabado La Esmeralda, fluctuates between sculpture and installation. Light and movement play a key role in her pieces, generating atmospheric and enveloping effects.

  • Malraux Encounter on Art and Education

    Malraux Encounter on Art and Education

    Loreto Alonso Atienza   The Malraux Encounter on Art and Education took place on May 6-8, 2014. It was coordinated by Patrick Talbot, honorary director of Art Postgraduate Schools of Bourges and Nancy, and of the National Higher School of Photography of France; and by Humberto Chávez Mayol, researcher at Cenidiap (National Center for Research,…

  • On History and Relevancy: Luis Arenal

    On History and Relevancy: Luis Arenal

    María Elisa Morales Maya   The exhibition Luis Arenal Bastar: un realismo militante (A Militant Realism) signifies in many senses, not just because of its unpublished status, given its documentary character, but because of the diversity of processes that the materialization of an exhibition such as this may imply.

  • Francisco Goitia Collection

    Francisco Goitia Collection

    María Jeannette Méndez Ramón   Since 1987, the Francisco Goitia Collection became part of the artistic documentary heritage of the National Center for Research, Documentation and Information on Visual Arts (Cenidiap). It was donated by anthropologist Farías Galindo, the last executor and biographer of the artist.

  • Decentralizing Historical Photographic Collections

    Decentralizing Historical Photographic Collections

    Eleazar López Zamora   [Originally published in Alberto Tovalín (ed.), Crónicas Fotográficas. I Foro México Estados Unidos,México, Instituto Veracruzano de Cultura, Universidad Veracruzana, Fondo Nacional para la Cultura y las Artes, 1996.]

  • The Cosmos Descends on Sculpture: Kiyoshi Takahashi, Sukemitzu Kaminaga, Kiyoto Ota and Hiroyuki Okumura

    The Cosmos Descends on Sculpture: Kiyoshi Takahashi, Sukemitzu Kaminaga, Kiyoto Ota and Hiroyuki Okumura

    María Teresa Favela Fierro   Several Japanese artists have arrived in Mexico at different times; some settled definitely, others temporarily. They all have brought with them a valuable artistic legacy. Tamiji Kitagawa, for instance, lived here in the 1920´s and 30´s, and taught at the Open Air Painting Schools.

  • Connections… Cenidiap’s Archives and Collections

    Connections… Cenidiap’s Archives and Collections

      On August 19-31, 2014, the Gallery of the National School of Painting, Sculpture and Engraving “La Esmeralda” hosted the exhibition Connections… Cenidiap’s Archives and Collections.

  • Barbizon or Santa Anita. The first Open Air Painting School, 1913

    Barbizon or Santa Anita. The first Open Air Painting School, 1913

    Laura González Matute   [Originally published in Escuelas de Pintura al Aire Libre y Centros Populares de Pintura, Mexico, Instituto Nacional de Bellas Artes, Centro Nacional de Investigación, Documentación e Información de Artes Plásticas, 1987.]

  • Leopoldo Méndez Documentary Collection

    Leopoldo Méndez Documentary Collection

    Jacqueline Romero Yescas   The Leopoldo Méndez Documentary Collection is a valuable documentary archive for research into the visual arts in 20th century Mexico. Its information covers several issues regarding the life and thought, as well as the development of the work of this engraver. This collection is part of the cultural, historical and artistic…

  • Videoarte en México

    Videoarte en México

    Marie-Christine Camus     Texto leído en la presentación del libro Videoarte en México de Adriana Zapett Tapia y Rubí Aguilar Canclino, México, Instituto Nacional de Bellas Artes, Centro Nacional de Investigación, Documentación e Información de Artes Plásticas, 2014. Aula Magna José Vasconcelos, Centro Nacional de las Artes.

  • Pensamiento silencioso

    Olga Margarita Dávila García[1]     José Luis Landet toma como base que la gráfica nace del dibujo; de manera directa conecta está condición como una posibilidad de forma de pensamiento. Para él la exposición es un laboratorio en el que por medio de un dispositivo de interacción con la audiencia se expone de manera…