Inaugural Session of the VII Conference on Research and Documentation in the Visual Arts

Carlos Guevara Meza
Read at Aula Magna, Cenart, Mexico City, October 18, 2017
Good morning.
On behalf of the National Center for Research, Documentation and Information on the Visual Arts (Cenidiap) it is an honor to welcome you to this

VII Conference on Research and Documentation in the Visual Arts

. I appreciate the presence of the authorities of the National Arts Center (Cenart) and the General Subdirection of Arts Education and Research (SGEIA) of the National Institute of Fie Arts (INBA) who are joining us here today, as well as the participation of both the speakers and the audience, here at this conference room and through the internet. Continuar Leyendo →


Alberto Híjar Serrano
If Felipe Ehrenberg (1943-2017) were still here, we would have discussed the gatherong resistance against the State’s so-called “historical truth” about Ayotzinapa, through slogans, texts, and graphic art, constantly moving not only in Mexico and the United States, but in Europe and other far-off places. The rural and popular roots of the Ayotzinapa relatives meet libertarian intelectual lucidity, bringing about a high-impact knowledge all over the world, against the systemic corruption of late capitalism. Continuar Leyendo →

Boltanski. Un pueblo de fantasmas

Marie-Christine Camus
This text was read at a round table, “Incomplete traces. Identity, memory and oblivion”, on May 24, 2016, as a parallel activity to the exhibition Animitas. Christian Boltanski, Museo de Arte Contemporáneo de Monterrey, January 21 – June 5, 2016.
  Continuar Leyendo →

SPECULAR – second series

Fictive Criticism

Alfredo Gurza

Invaluable images from the collections kept by Cenidiap, in dialogue with fabulations and inventions, free-style exercises of the imagination, as mirrors reflecting each other, revealing unexpected affinities and contrasts, interweavings beneath the surface, telling resonances. A proposal to re-circulate this heritage, in order to contribute to generating new audiences and strengthening the Center as a reference point for the national and international community of researchers, documentalists and creators. Continuar Leyendo →


Fictive Criticism



In line with Cenidiap’s essential mission to produce and foster research, documentation and information on visual arts in Mexico and the rest of the world, we present this series, where we will be periodically publishing images from the invaluable archives housed in our Center, placing them in conversation with fabulations and inventions, free-form exercises of the imagination, as mirrors in reciprocal reflection, revealing unexpected affinities and contrasts, interweavings beneath the surface, telling resonances. Continuar Leyendo →


Alfredo Gurza
The dazzling Russian avant-garde exhibition at the Fine Arts Palace in Mexico City (October 22, 2015-February 7, 2016) provides a perfect opportunity to present three articles by Kazimir Malevich, the creator of suprematism, whose influence on the critical practice of the arts is perhaps greater today than it was a century ago, when the depths of his work were only beginning to be sounded. Continuar Leyendo →

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43 Times Seven Months

Alberto Híjar Serrano
Certain that the State did it, commemorations rise up a notch, developing autonomies and self-governance. On Saturday the 25th, the Santo Domingo, Los Pedregales, neighborhood welcomed the Ayotzinapa parents, and as it has done every month for the past nine years, a survivor from the Acteal massacre, who is enduring an unending rehab process because of the seven bullets she received. There was delicious pozole and tamales, followed by a testimonial reflection and the report made by the neighborhood organizations. In solidarity, one of the houses now shows on its metal gate the faces of the 43. Twenty-five collective murals testify to this solidarity; some of them include portraits of the victims, their names, and their mothers bearing these testimonials. One of the murals reproduces an engraving by Arturo García Bustos, dating from over fifty years ago, with an armed Zapata pointing directly at the spectator and a sign that reads: “And what have you done to defend the conquests for which we gave our lives?” Continuar Leyendo →


Alberto Híjar Serrano
Open Veins of Latin America rightly replaced those linear-history manuals, centered on Nation-State building and with only veiled references to colonial and imperial outrages. Official texts never mention guerrillas and bandits: they are the dirty war, a side chapter beyond presidents and laws. Continuar Leyendo →