Categoría: Museums
-

The Interplay of Past and Present. Hélio Oiticica at Museo Jumex
Andrés Reséndiz Rodea Is it posible for a work of art, dating back 50 years, to offer a contemporary sensory experience with elements of the future? In 1967, perhaps without this being his main goal, Hélio Oiticica (Río de Janerio, 1937-1980) produced a work exploring the possibility of including variable and random stimuli…
-
An Instant On the Road. Alejandro Gómez de Tuddo’s Exhibition at Cenart
Rubí Aguilar Cancino Death is a lived life. Life is a coming death. Jorge Luis Borges The main theme of the second International Photography Festival FotoMéxico was Latitudes, an invitation to explore the geographical, anthropological and disciplinary diversity in contemporary photography. Works were exhibited along four axis: Politics and Society; Landscape…
-
Ways of Seeing: Yolanda Ceballos’ Transitions
Alejandra Estrada The collective exhibition Modos de ver ran between January 26 and April 29, 2018, at Museo de Arte Carrillo Gil, in Mexico City. It was curated by Tatiana Cuevas and presented in coordination with Programa Bancomer (fifth edition), with an aim to promote nine young artists selected by a jury and…
-

Episodio by Estrella Carmona and 7102 Fantasma Semiótico SCituacionista
María Eugenia Garmendia Carbajal and Edwina Moreno Guerra Estrella Carmona is one of the artists under consideration within our research project at Cenidiap: ‘Representaciones Apocalípticas, Catastróficas y Silentes en el Arte Pictórico Contemporáneo Mexicano’. We visited two exhibitions of her work: a solo show at Museo de Arte de la Secretaría de Hacienda…
-

Carlos Amorales at MUAC: Axioms for Action (1996-2018)
Edwina Moreno Guerra It is remarkable for a young Mexican artist like Carlos Amorales (Mexico City, 1970) to exhibit at Museo Universitario Arte Contemporáneo (MUAC). Havig lived and trained in Europe (1990-2004), he returned to Mexico as an established artist. This exhibition showcases pieces from different and even disparate genres. The effort invested…
-

Guillermo Gómez-Peña, Mexican (IN)documentado
Edwina Moreno One might say that now is “the moment” for Guillermo Gómez-Peña’s art. Looking into his life and work, one discovers that political decisions by President Trump against Mexican immigrants provide a timely space for Gómez-Peña’s artistic actions. This Mexican artist migrated to the USA when he was young; his thoughts regarding…
-

Un mismo amor
Alberto Híjar Serrano Without him knowing, or quoting from it, the Cannibal Manifiesto (São Paulo, 1928) gives aesthetic sense to the work of Gerardo Cantú exhibited at Museo Mural Diego Rivera under the title Un mismo amor. Vivencias y videncias. Among the phrases adroitly sprinkled here and there to accompany the works, there…
-

Raquel Tibol
Alberto Híjar Serrano The introduction to the anthology Raquel Tibol, la crítica y la militancia, published by Centro de Estudios del Movimiento Obrero y Socialista, recounts the life and miracles of the redoubtable critic, from her beginnings as a writer and journalist in her native Argentina. During a Continental Conference on Culture, promoted…
-

Boltanski. Un pueblo de fantasmas
Marie-Christine Camus This text was read at a round table, “Incomplete traces. Identity, memory and oblivion”, on May 24, 2016, as a parallel activity to the exhibition Animitas. Christian Boltanski, Museo de Arte Contemporáneo de Monterrey, January 21 – June 5, 2016.
-

Work Brings Us Together: Larrauri/Mexiac
On April 20, 2016, at Galería Víctor Manuel Contreras in Universidad Autónoma del Estado de Morelos (UAEM), campus Cuernavaca, the exhibition Work Brings Us Together. One More Time, was opened. It brought together two sets of works from two essential creators in the history of art and culture in Mexico: Moments in the History of…
-
Exhibition Morphologies. Fine Arts Palace Museum: 1934-2014
Ana Garduño Curatorial policy at what is today known as the Fine Arts Palace Museum has always been particularly notorious when it comes to the visual arts; this is due in large measure to its status as an official art gallery. Its exhibitions have had greater cultural significance, not only in its natural…
