An artistic relationship and a great friendship between a muralist and an adman: Jorge González Camarena and Federico Sánchez Fogarty

María Teresa Favela Fierro
 
 
This is the text of the lecture “Tolteca’s public image in the work of Jorge González Camarena”, which I gave on the occasion of the exhibition Federico Sánchez Fogarty, a visionary of his time at Museo Casa Estudio Diego Rivera y Frida Kahlo, (November 14, 2013, February 23, 2014). You can see the images I mention in the text at the gallery of the Fundación Cultural Jorge González Camarena A. C. website: Galería de la Fundación Cultural Jorge González Camarena. Continuar Leyendo →

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We shall become Dogs

Yuri Herrera
 
 
A text on La Pasión según Arte Huerco, an exhibition initially shown in Pachuca, Hidalgo, by Fundación Arturo Herrera Cabañas, in April, 2014. It was later exhibited between April and May, 2015, at the Copilco subway station, in Mexico City.  Continuar Leyendo →

Inventing the Future. Political Construction and Cultural Action. Acts of the V Symposium on Research and Documentation

Guadalupe Tolosa
 
 
The future can be invented, but maybe it emerges on the strength of a present in which the multiplicity of events –increasingly dominated by violence, which is present in virtually all aspects of life- turn the wager on aesthetic expressions into an opportunity to enrich the diverse and vast field in which we work, where the political, the ideological and the social are upturned. Continuar Leyendo →

Approaches to Patricia Henríquez

Alfredo Gurza
 
 
The incursion of Patricia Henríquez (Mexico City, 1967) in recent years in animation and video art is the logical consequence of her efforts to extend her semiotic domain. One is amazed by the terseness of her transit into this new medium, the naturalness with which she occupies it, as if these were her more propitious surroundings. Continuar Leyendo →

Pola Weiss and The Crystal Door

Alberto Roblest
 
 
My first encounter with Pola was as haphazard as my stay at UNAM’s Facultad de Ciencias Políticas y Sociales. Both chance events left their imprint on me forever. It was 1983, I was doing the fourth semester. It was near the end of term. Continuar Leyendo →

José Luis Brea’s “Looking ahead”

Loreto Alonso Atienza
 
 
On January 15-17, the “Three Eras of the Image” conference took place at Biblioteca Vasconcelos, in Mexico City. Organized by Centro de la Imagen and 17 Instituto de Estudios Críticos, it gathered major figures in the field of visual studies, such as Keith Moxey, William J. T Mitchell and Mieke Bal. The title of the conference was taken from the last book of the late Spanish thinker José Luis Brea. Continuar Leyendo →

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Current Art Documentary Collection

Edwina Moreno Guerra
 
 
1990-2000
 
The Current Art Documentary Collection began with the rescue of so-called “Arte Joven” (“Young Art”), originating in the late 1950’s. From then on, the cultivation of new languages always refers to new art, the one that broke off with tradition and was acknowledged as avant-garde. Continuar Leyendo →

The José María Velasco Gallery. A Public Space for Cultural Promotion in Tepito

Carlos Guevara Meza
 
 
This text was read at the presentation of the book La Galería José María Velasco. Espacio público de promoción cultural en Tepito, by Guillermina Guadarrama, México, Consejo Nacional para la Cultura y las Artes, Instituto Nacional de Bellas Artes, Galería José María Velasco, 2013. Galería Velasco. Continuar Leyendo →

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Vianney Cortés. Language as the Detonator of Form

 

The work of Vianney Cortés (Mexico City, 1985), who graduated from Escuela Nacional de Pintura, Escultura y Grabado La Esmeralda, fluctuates between sculpture and installation. Light and movement play a key role in her pieces, generating atmospheric and enveloping effects. Continuar Leyendo →

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Malraux Encounter on Art and Education

Loreto Alonso Atienza

 

The Malraux Encounter on Art and Education took place on May 6-8, 2014. It was coordinated by Patrick Talbot, honorary director of Art Postgraduate Schools of Bourges and Nancy, and of the National Higher School of Photography of France; and by Humberto Chávez Mayol, researcher at Cenidiap (National Center for Research, Documentation and Information on Visual Arts). Continuar Leyendo →

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On History and Relevancy: Luis Arenal

María Elisa Morales Maya

 

The exhibition Luis Arenal Bastar: un realismo militante (A Militant Realism) signifies in many senses, not just because of its unpublished status, given its documentary character, but because of the diversity of processes that the materialization of an exhibition such as this may imply. Continuar Leyendo →

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Francisco Goitia Collection

María Jeannette Méndez Ramón

 

Since 1987, the Francisco Goitia Collection became part of the artistic documentary heritage of the National Center for Research, Documentation and Information on Visual Arts (Cenidiap). It was donated by anthropologist Farías Galindo, the last executor and biographer of the artist. Continuar Leyendo →

Economics and Culture

Carlos Guevara Meza

 

Perhaps I should begin by pointing out the relevance of presenting a book entitled Economics and Culture at an arts research center. When “traditional” cultural producers, such as artists, intellectuals and academics, hear those two words together, we start shaking, thinking (not without reason) that the idea is to throw us into a market previously constructed by other agents, after their own fashion, in which they already exercise a dominion, and who don’t think twice about “liquidating” (in the Mafia sense of the word) any real or potential competition.

Continuar Leyendo →

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Decentralizing Historical Photographic Collections

Eleazar López Zamora

 

[Originally published in Alberto Tovalín (ed.), Crónicas Fotográficas. I Foro México Estados Unidos,México, Instituto Veracruzano de Cultura, Universidad Veracruzana, Fondo Nacional para la Cultura y las Artes, 1996.] Continuar Leyendo →

Forced Disappearances

Alberto Híjar Serrano

 

On the first Saturday of every month, at different public places, HIJOS México and ¡Eureka! Install an exhibition of the disappeared, the victims of political repression. On Saturday, February 1st, they installed photographs of the disappeared around a fountain in Parque de los Venados, where they informed the festive and sportive citizens gathered there of the purpose of their organization. Continuar Leyendo →

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The Cosmos Descends on Sculpture: Kiyoshi Takahashi, Sukemitzu Kaminaga, Kiyoto Ota and Hiroyuki Okumura

María Teresa Favela Fierro

 

Several Japanese artists have arrived in Mexico at different times; some settled definitely, others temporarily. They all have brought with them a valuable artistic legacy. Tamiji Kitagawa, for instance, lived here in the 1920´s and 30´s, and taught at the Open Air Painting Schools. Continuar Leyendo →

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Connections… Cenidiap’s Archives and Collections

 

On August 19-31, 2014, the Gallery of the National School of Painting, Sculpture and Engraving “La Esmeralda” hosted the exhibition Connections… Cenidiap’s Archives and Collections. Continuar Leyendo →

César Moro: Poetry between the Old and New Worlds

Lourdes Andrade

 

César Moro, a poet of astonishing fertility in terms of the quantity and the quality of his images, is a figure between two worlds, drawn and torn by the absolute demands of poetry and the circumstances in which he developed his work and his life, and in which he gave sense to both. Continuar Leyendo →

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Barbizon or Santa Anita. The first Open Air Painting School, 1913

Laura González Matute

 

[Originally published in Escuelas de Pintura al Aire Libre y Centros Populares de Pintura, Mexico, Instituto Nacional de Bellas Artes, Centro Nacional de Investigación, Documentación e Información de Artes Plásticas, 1987.] Continuar Leyendo →

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Leopoldo Méndez Documentary Collection

Jacqueline Romero Yescas

 

The Leopoldo Méndez Documentary Collection is a valuable documentary archive for research into the visual arts in 20th century Mexico. Its information covers several issues regarding the life and thought, as well as the development of the work of this engraver. This collection is part of the cultural, historical and artistic heritage safeguarded by the National Institute of Fine Arts and Literature (INBAL). Continuar Leyendo →